Collection: Hirota Urushi

Hirota Urushi

Handmade in Japan by Master 廣田洋子 - Yoko Hirota
   

1. Main Techniques in Hirota Art

There are 4 main techniques normally used in master Hirota's art: 櫛目堆漆塗 (Kushime Tsuishitsu Nuri) - 金箔 (Kinpaku) - 石目堆漆塗 (Ishime Tsuishitsu Nuri) - 金彩ひび塗 (Kinsai Hibi Nuri).

櫛目堆漆塗 KUSHIME TSUISHITSU NURI

Kushime (櫛目) is the act of combing to create a pattern for artistic purposes such as pottery. Tsuishitsu Nuri (堆漆塗) is Master Hirota's original Urushi technique where multiple layers of Urushi that is combined with egg white or Ranpaku (卵白) and applied thickly using special flat tool.
  

金箔 KINPAKU

Kinpaku is the technique of laying thin gold leaves on art objects, writing tools, tableware, and religious objects to refine and polish the appearance. The most challenging part is ensuring the sheet must adhered following the surface, whether it's flat or surved depending on the fountain pen shape.
  

ひび塗
HIBI NURI

"Hibi" in English is translated as 'crack'. Master Hirota found the fractured aesthetic through repeated trial and error. The secret to making the black urushi cracked and revealing the gold is by incorporating egg white or Ranpaku (卵白) to create a unique yet artistic trait.
   

石目堆漆塗 蒟醤
Ishime Tsuishitsu Nuri Kinma

This technique is using multiple layers of Urushi. The surface is carved to create hollows that resemble rock perforations. A different color of Urushi is filled into the hollow and finally polished to make the surface flat.
  
  

Fountain pens from Hirota collection are handmade one by one and require years to create.
Therefore, each of them is only available as few as one piece each time.

2. Chawan-iro

Expanding the range of Urushi art, Master Hirota has developed her technique of applying Urushi to something that represents Japanese kilns and pottery. "Chawan" means a bowl in Japanese. Each fountain pen in the "Chawan" series has a subtle pattern and gradation that resembles the bowls that Japanese people use in Japanese tea ceremonies, which emphasizes the humility of aesthetics.

Chawan plays a significant role in Japanese culture, especially in the Japanese Tea Ceremony. Originating from an appreciation for aesthetics, the art on the tea bowl has become an important aspect of the Japanese Tea Ceremony itself. During the ceremony, after the host serves the guests the prepared Matcha, they are encouraged to take notice of the visual appeal of the bowl.

Master Hirota is inspired to paint the Urushi using the same aesthetics for this collection. Each pen carries the finest quality details from her decades of experience as an Urushi master.

3. Hirota Kinpaku Maki-e

A Symphony of Flora: Pen's Artistic Story

4. About Master Yoko Hirota