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Dream Pen Celluloid
Kingyo 金魚
The "Kingyo" colorway, meaning "goldfish" in Japanese, features vibrant gold and deep red swirls. This pattern is admired for its luxurious and dynamic appearance, capturing the essence of goldfish hues. Kingyo is a classic Japanese Celluloid colorway dating back to the 1940s.
Authentic Traditional Celluloid Material
Warm, Balance & Natural
The pen retains body heat, offering a warm, natural writing experience.
Dream Pen Celluloid
Bekko 鼈 甲
The "Bekkou" colorway, meaning "tortoiseshell" in Japanese, is a classic and elegant celluloid pattern. It mimics tortoiseshell's rich, warm tones, with a blend of amber, brown, and black hues creating a sophisticated, mottled effect.
MODERN CELLULOID MATERIAL (CELLULOSE ACETATE)
Same Character Better Durability
Plant Based Material Cellulose Acetate (Modern Celluloid) offers better durability & biodegradability while maintaing the charm and essence of traditional Celluloid fountain pen
Dream pen Celluloid
Momiji 紅 葉
Our original celluloid pattern, inspired by the 'Momiji' – the vibrant maple leaves of autumn in Japan. This design captures the essence of Japan’s breathtaking fall foliage, where the leaves turn brilliant shades of red and gold, symbolizing change and beauty.
MODERN CELLULOID MATERIAL (CELLULOSE ACETATE)
More Unique Patterns
By utilizing next-generation celluloid material, we were able to create unique new patterns that were impossible to achieve with traditional celluloid.
Dream Pen Celluloid
Seto 瀬 戸
The 'Seto' colorway pays tribute to the ocean near Wancher's head office in Bungotakada. The Dream Pen Celluloid Seto features marbled blue gradients that reflect both bright and dark hues, mimicking the essence of Ocean Blue.
MODERN CELLULOID MATERIAL (CELLULOSE ACETATE)
Endless Capability
While Kingyo and Bekko honor classic Japanese celluloid pens, Momiji and Seto represent our pursuit of unique, beautiful celluloid designs, preserving the craft and promoting Japanese fountain pens.
Hand Crafted by One Artisan
Only two individuals in Japan are believed to master the traditional 'Roll Up' celluloid craftsmanship—one at Platinum and the other, the lead craftsman behind Kyoto Celluloid.